What follows below was my submission to Finer Things Magazine for their Winter Issue. It's reproduced here for your reading pleasure. Enjoy.
Finer Things Magazine Reviews: Part II
Hi everyone, it’s Joe from On the pod.net again. Welcome back to Finer Things Magazine music reviews. This month we’re hitting Pop, Folk and Rock for you with three new albums; Ta-Dah! by the Scissor Sisters, Despite Our Differences by the Indigo Girls and The Open Door by Evanescence. Here we go…
Ta-Dah! by the Scissor Sisters is like stepping into H.G. Well’s time machine and dialing yourself back to the VIP lounge of Studio 54 in the mid 70’s to go wild for a little over three quarters of an hour. If you’re still having a problem picturing the vibe of this album; think Roller Skates, Afros, The Bee Gees, ELO, Elton John in costume and even a bit of Queen. Ta-Dah! takes the term retro to a whole new level, and in doing so ends up feeling like an entirely authentic album with a funky rhythm section, falsetto vocals and a definite sense of humor.
In ten albums and nineteen years, Amy Ray and Emily Saliers have gone from acoustic to electric and back again, covering everything from social issues to the internal dialogue of love. Despite Our Differences marks the Indigo Girls tenth foray into the studio since 1987’s Strange Fire and continues down the well worn path of their career to date. It doesn’t break any new musical ground for the duo, but it does harvest the fruits of their talents in a way that makes the thirteen tracks on Despite Our Differences seem more fresh than rehashed. As always, the lyrics are elegantly crafted and the music follows in similar fashion. While Despite Our Differences wouldn’t be my first choice as an introduction to the Indigo Girls, fans will recognize it for what it is…the continuation of a conversation with an old friend.
Love them or hate them, it’s undeniable that when Evanescence hit the music world with their first album, Fallen, they hit it big. The album’s first single, Bring me to Life was everywhere in a big way. Fallen kept producing a seemingly endless stream of singles, all of which found their way into heavy rotation over the airwaves. Three years later, everyone’s favorite Goth Girl, Amy Lee, is back with Evanescence’s second major label release, The Open Door…it also marks the band’s first album without, Evanescence co-founder and guitarist, Ben Moody. Amy Lee fills The Open Door with her trademark ethereal, operatic vocals on top of the counterpoint of distortion and heavy rhythms…and if this were a debut album, it would be enough. However as a sophomore effort, The Open Door, while staying true to the feel laid down by Fallen, does not move beyond it. That is not to say, however, that The Open Door isn’t a solid album. The opening track, Sweet Sacrifice, and the first single, Call Me When You’re Sober, are both bright spots on the album with the remaining tracks filling the remainder The Open Door nicely. That being said though, I think fans of Evanescence will draw more from The Open Door than the casual listener.
So, there you have three new discs for you to check out this month that should broaden your aural horizons, especially if you’re a fan of the Indigo Girls and Evanescence. If you liked the reviews and can’t wait for the next issue of Finer Things Magazine to decide what else to listen to, check out all of my other reviews at www.onthepod.net.
Until next time, have fun and keep listening.
Joe
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